The central question for the siblings at play is “are you a human or are you a tree?” Their answer is a resounding “Both!” A theme begins to emerge encouraging a love and acceptance of all people and from that, building a community of varied genders, expressions and spectrum positions where all are valued for who they are and their contributions to the whole of the community they have formed.
The piece made me think of Samuel Beckett’s Happy Days, with the main character buried in sand for the entirety of the play. However, while Beckett’s absurdity focuses more on despair, Agnes Borinsky accomplishes her premise through more joyful means—wacky humor, zany antics and wild conceits that can’t help but induce laughter.
The cast fully immerse themselves in the material and their commitment makes the ideal world that is created by the end a plausible, if not probable, pursuit of true peace among people.
In a time where there is much turmoil and unrest, the ultimately simple message in The Trees is a fresh take on the old saying “Can’t we all just get along?”
The Trees runs through March 19.